Why I Think You Should Be Heading in Opposite Directions — Equally, at the Same Time

16 x 16, oil

This is exactly where I find myself at this point in the journey. If you have followed my work for some time, you have seen a marked change in my process. As one who is continually more impressed by an artist’s journey and growth than consistency, I honestly hope this is always the case.

24 x 48, oil

Always a student, I find myself studying the basics of art more: returning to drawing, thinking of reality, rendering it. It was just two years ago that I was in Florence studying classical art, and the influence is lasting. These opportunities for continuing education become deeply rooted in the process: drawing, studying from life, all the basics of a classical art education.

16 x 16, oil

At the same time, there has always been this joy in abstraction, an admiration for artists brazen enough to use bold a free brushwork leave parts of a canvas uncovered. You can see it in their work: a freedom and abandon. When encountered, it makes me stop in my tracks and stare in awe. In the day-to-day practice of art, my soul is just a little happier, a bit more joyful, when the abstraction is at play.

16 x 20, watercolor

Ah, but my classical studies have taught me that the truest freedom comes from first honoring the greatest discipline, then choosing the freedom to move past it … So I find myself headed in both directions at once: nodding to classicalism in my study and work and playing in abstraction and unadulterated joy at the same time.

16 x 20, watercolor

I’m curious, can you see this in my journey? In my work? I think you can count on seeing this even more in the coming year.

As always, I love hearing about your journey in the comments. And I invite you to join the ongoing discussion on Facebook and Instagram every day.
Cheers!

2017-04-11T11:20:15+00:00 January 1st, 2017|Art Process|0 Comments

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